Now send the signal from the Reamper into whatever gear you have laying around the house and record it as you would have originally. The Radial X-Amp is a dual output class-A active Reamper that lets you take a pre-recorded track and send it through amps and pedals without noise. If you are a 500 series user, the X-Amp 500™ module is available. Our most popular reamper, the active X-Amp™ allows users to send two reamp tracks at once for extreme experimentation. The original John Cuniberti design is preserved in the Reamp JCR™ with a custom wound transformer. For introductory reamping, the ProRMP™ is a passive solution with a simple gain knob and ground lift switch. We’re now the leaders in the reamping market and make multiple products perfect for this process. Radial purchased the Reamp brand in 2010 from John Cuniberti, who first commercialized the design. If you don’t believe that this step is necessary, check out this comparison video by Creative Sound Lab. A Reamp box converts the balanced line level signal of your interface into an unbalanced instrument level signal with the proper impedance to be sent through guitar effects. This step is often missed when people are reamping, but is crucial to getting professional results. Now connect this separate output into a Reamp® box. In your DAW, set the output of the DI track to a separate output (i.e Output 3 if your monitors are connected to Output 1 & 2). No worries! It’s time to put that nice clean DI track to use. So now you’ve finished tracking all the instruments and you’re mixing the song, but somewhere along the way your heavily distorted amp stopped sounding good in this song. Reamping with the dual output X-Amp (click to enlarge) Step 2: Reamp the track and capture it again. The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument. This lets you record with the tone you’re used to while also giving yourself options in the future… Have your cake and eat it too! Thus, you will record two tracks simultaneously: one clean DI track and one affected guitar track. Instead of your interface receiving an instrument-level signal, a DI will send the signal at mic-level, allowing your interface’s preamp to do all of the heavy lifting.īy using a DI box such as the J48, you can also still connect to your favorite pedals, amps and microphones using the “thru” output. The J48 tends to add more “air” to the sound of direct instruments by preserving high frequencies that sometimes get lost when using low-quality circuitry. Rather than plugging directly into your interface, using an active DI has many benefits. The best way to do this is to use an active direct box such as the Radial J48™. To get the best results when reamping, you need a crystal-clear recording of the instrument. Step 1: Capturing a track for reamping Capturing tracks for reamping (click to enlarge) It was actually first used by bassists and the concept can apply to any audio clip you might have. Worst of all, the sounds you capture don’t work in the context of the final mix!īy simply placing a DI Box between your guitar and your pedals or amp, you can preserve an unaffected guitar performance that might end up saving you having to re-record the part over again.īest of all, reamping isn’t just for guitarists. By the time you’re ready to record you’re more focused on the tone than the music itself. We’ve all been there: you get the inspiration to record a riff or song idea, but end up spending unnecessary time tweaking your amp, setting up mics, etc. It sounds arduous and time-consuming, but bear with me here: this process could actually save you tons of time and revolutionize the sound of your music. As the name implies, it’s where you take a pre-recorded track and “re-amplify” it back through a speaker to achieve a tone that properly suits the song. A popular adage with recording is “garbage in – garbage out”, implying that you’re doomed if you mess up the tracking process, but what if there’s a way around this? Getting a good guitar tone is easy, settling on the perfect tone is impossible until you can hear it in the context of the mix.
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